“CHIIKAWA DAYS” Exhibition Makes Its Chinese Mainland Debut at JingAn Kerry Centre, as JAKC and AllRightsReserved Join Forces Again to Create a New Urban Hotspot

Sep 19, 2026

Exhibition officially opens to the public on September 12; tickets now on sale

Shanghai, China, September 19, 2026 -- On September 10, JingAn Kerry Centre (JAKC) and AllRightsReserved (ARR), in collaboration with Spiralcute International, officially launched the Chinese mainland debut of “CHIIKAWA DAYS” Exhibition (Shanghai).

From September 12 to November 1, JAKC will be transformed into a CHIIKAWA-themed world for a 51-day exhibition. Multiple experience zones across the South Plaza and Nanjing West Road will feature Shanghai-exclusive exhibits making their global debut and inspired by local food culture, alongside a limited-time merchandise pop-up store and co-branded food offerings from JAKC tenants, creating an immersive CHIIKAWA experience for visitors.

Image: Key visual for “CHIIKAWA DAYS” Exhibition (Shanghai)

Chinese Mainland Debut Brings Shanghai Longtang Eats to Life: “CHIIKAWA DAYS” Exhibition (Shanghai) Takes Centre Stage at JAKC

On September 10, “CHIIKAWA DAYS” Exhibition (Shanghai) marked its official launch. Chiikawa, Hachiware and Usagi made a surprise appearance at the event, meeting attending media up close and setting the stage for the exhibition. The exhibition had already made an early appearance on Anyi Road on September 5 with a preheat celebration featuring a series of giant CHIIKAWA sculptures. The installation drew strong footfall on its first day and widespread attention across social media, rapidly building nationwide awareness of the exhibition.

Opening to the public on September 12, the Chinese mainland debut of “CHIIKAWA DAYS” Exhibition (Shanghai) comprises two ticketed exhibition zones, a free exhibition zone and a limited-time pop-up store available exclusively to ticket holders. At the Piazza, the main ticketed zone, “CHIIKAWA’s Everyday Life,” takes visitors through nine themed rooms spanning Clothing, Food, Shelter and Action, and extending into everyday mini-adventures — from stepping into Chiikawa’s home to taking on hunting missions. More than 100 3D sculptures recreate memorable scenes from the manga, including the rice cooker filled with white rice, the internet café, “Ramen Rō”, the prison, the 3-star restaurant and iconic hunting scenes. Each room offers its own details and discoveries for fans to explore.

Images: “CHIIKAWA’s Everyday Life” in the main ticketed exhibition zone at the Piazza

Among the highlights is the new Shanghai-exclusive “CHIIKAWA Longtang Eats” zone, created specifically for the city and presented as a dedicated exhibition area. Continuing the creative concept of incorporating local food culture into the world of CHIIKAWA, Chiikawa and friends wander through a traditional longtang setting inspired by old Shanghai before transforming into playful interpretations of some of Shanghai and the Jiangnan region’s most recognisable delicacies, including pan-fried buns, savoury pork mooncakes, crab roe soup dumplings, butterfly pastries, braised pork, lion’s head meatballs, eight-treasure rice pudding and almond tofu. The experience brings Shanghai fans a fresh sense of discovery while celebrating familiar local flavours.

Also making its Chinese mainland debut is a nine-metre-tall giant inflatable sculpture featuring Chiikawa, Hachiware and Usagi at the prominent junction of Nanjing West Road and Changde Road. The installation has become a gathering point for fans and residents from across the city, inviting visitors to step further into the everyday world of Chiikawa and friends.

The limited-time pop-up store is located on Level 2 of JAKC, where more than 50 licensed merchandise items will be introduced throughout the exhibition period. Shanghai-exclusive “CHIIKAWA Longtang Eats” themed souvenirs make their global debut, offering fans a broad selection of collectibles. Ahead of the Mid-Autumn Festival and National Day holidays, the pop-up store will also launch a range of “Moon-Lantern Fest” themed merchandise. During the exhibition, participating food tenants at JAKC will introduce official CHIIKAWA collaborations. PAPER STONE BAKERY, for example, will offer freshly baked savoury pork mooncakes stamped with Chiikawa, bringing together Shanghai longtang food culture and IP creativity.

Images: Limited-time pop-up store on Level 2 of JAKC

Admission includes access to both ticketed exhibition zones and eligibility to shop at the pop-up store. Throughout the exhibition, ticket holders will receive themed gifts at different stages and will also have opportunities to purchase limited-edition collaboration food items. Together, the exhibition, shopping and dining experiences create an immersive full-day itinerary, giving visitors a uniquely Shanghai CHIIKAWA memory to take home.

JAKC’s collaboration with ARR to bring the Chinese mainland debut of “CHIIKAWA DAYS” Exhibition (Shanghai) to the city represents a significant evolution of its experiential consumption model. By drawing urban footfall and stimulating commercial activity, the exhibition further connects retail with culture and tourism. It reflects JAKC’s responsiveness to consumer trends and contemporary cultural moments, while also aligning with the continued growth of inbound tourism and adding a new touchpoint for cultural exchange in Shanghai. As a core landmark of the Jing’an commercial district, JAKC continues to inject creative energy into the Nanjing West Road area through collaborations with leading cultural IPs, supporting its development as a hub where urban culture and new consumption converge. Looking ahead, JAKC will continue to integrate culture, commerce, tourism and exhibitions, contributing to Shanghai’s development as a world-renowned tourism city while creating sustained momentum for the city through compelling cultural experiences.

*Special Notice: Display and opening arrangements for certain exhibits, particularly those in outdoor areas, may be adjusted due to weather conditions or other circumstances beyond the organisers’ control. Please refer to actual on-site arrangements.

About JingAn Kerry Centre:

JingAn Kerry Centre is one of Kerry Properties’ most representative mixed-use developments. Located in the heart of West Nanjing Road (one of the most luxurious and flourishing commercial avenues in Shanghai), this 456,000 sqm GFA complex comprises 94,000 sqm of retail space, three Grade-A office towers, one serviced apartment tower, and one luxury hotel.

Housing 200+ top-ranking brands of all categories, from luxury and fashion, premium sports and lifestyle, beauty and accessories, commercial and casual dining, high-end supermarket to cinema, JAKC has been attracting a traffic flow of more than 22millions per year, persistently introduces the most prestigious brands and intriguing social experience to the city.

The icon among icons in Shanghai and even China, JingAn Kerry Centre takes up the leading role of luxury and exquisite lifestyle, gives a much-needed boost to the city culture and economy.

About AllRightsReserved:

Established in 2003, creative brand AllRightsReserved (ARR) has remained committed to artistic creation, continuously pushing the boundaries of art and challenging conventional creative media to create inspiring artistic environments. Over the years, ARR has collaborated with outstanding artists from diverse backgrounds on a wide range of creative projects that enrich everyday life through art. Its collaborators include internationally renowned contemporary artists KAWS and Yayoi Kusama, luxury automobile brand Rolls-Royce, global streaming platform Netflix, and brands including Doraemon and Snoopy. ARR also operates its own art e-commerce platform, DDT Store.

Contact Info:
Name: Gillian Ho
Email: Send Email
Organization: JingAn Kerry Centre (JAKC)
Website: https://www.allrights-reserved.com/

Release ID: 89203726

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More News

Why Democrats are pivoting to thirst traps
Oct 26, 2026
Why Democrats are pivoting to thirst traps

“It is a very real dynamic that you could have all these videos about Jon Ossoff, and it's not seen as detracting away from his overall message or his seriousness as a politician,” The 19th’s Grace Panetta said on Vox’s Today, Explained podcast. | Elijah Nouvelage/Getty Images Democrats have been emphasizing lots of issues in the runup to the 2026 midterms: The Iran war. The state of the economy and healthcare. Corruption. And…hotness. Specifically, their candidates: The internet is awash in clips of Michigan candidate Abdul El-Sayed pumping iron and podcasters proclaiming that “America deserves a hot president” in a video interspersed with photos of Georgia Sen. Jon Ossoff. Having a good-looking candidate is by no means a new tactic — famously, it may have helped John F. Kennedy win election over Richard Nixon — but the online left is adapting that strategy for the internet and fandom age.  Grace Panetta, a politics reporter for The 19th, wrote about how “thirst edits” of Ossoff in particular are proliferating online. Panetta says the organic origins of a lot of these videos are of particular interest to Democratic operatives, who see it as a way to gain back ground they lost on the internet after the 2024 election.  Panetta spoke with Today, Explained co-host Sean Rameswaram about who’s thirsting over Democratic politicians in the first place, how 2026’s hot candidates are different from those of yore, and whether it’s actually giving them a boost.  Below is an excerpt of their conversation, edited for length and clarity. There’s much more in the full podcast, so listen to Today, Explained wherever you get your podcasts, including Apple Podcasts, Pandora, and Spotify. Where are these edits coming from? Regular online creators. And it’s important to note at the outset that these are not paid partnerships. The campaign is not paying these influencers to make edits about how they think their candidate’s really attractive.  That’s partly why I wanted to dig into it, because it’s organic. These are just online creators wanting to draw visibility and attention to a candidate that they really like. Jon Ossoff is currently running for reelection in these midterms. How do we know for sure that he isn’t somehow behind the campaign? I spoke to several creators who make these videos and they said that they’re doing it for the love of the game and they’re just supporters. His campaign did not give me a quote or a statement for this story. So it’s fair to assume that he’s not directly involved and he doesn’t repost these videos.  But as people pointed out to me, his campaign knows that they have an attractive, compelling candidate. And they’ve previously been vaunted for their digital strategy this cycle of putting out very high-quality livestreams of his rallies. There’s a lot of material for an enterprising TikToker who wants to make these edits or clips. They have a lot to work with.  His campaign, as one person put it, is definitely playing into that, but not directly engaging. It’s a fine line to walk. Is it just an Ossoff thing or is this going on with other candidates? I do recall that Abdul El-Sayed hits the gym. Famously so. Yes, he hits the gym. I just watched so many videos for this story. I also came across a fair number of Gavin Newsom edits. There are people who think he gives sort of a Patrick Bateman, American Psycho vibe. There are also official Democratic accounts, including the TikTok account for the DNC, the headquarters account, which was formerly Kamala HQ, who have been posting edits of Ossoff and also Abdul El-Sayed, who kind of leans into this gym-bro persona.  The headquarters account posted a side-by-side of Ossoff and Abdul El-Sayed with the caption, “There are 69 days until election day.” Nice. Yes. There are also lots of edits of Mamdani, and former President Barack Obama. Obama nostalgia content goes hard on the internet. So you’re seeing these more official side Democratic campaign accounts leaning into it and playing up their candidates. Having an attractive candidate is nothing new. You mentioned Obama. JFK was famously dashing. What feels different about what you’re seeing now on social media? I think this is really a culmination of a lot of different things happening right now in politics and specifically within the Democratic Party.  After their loss in 2024, there was a lot of conversation about the gerontocracy, how we’re governed by a lot of really old people, for the most part, in this century. And also about Democrats’ digital strategy and the aftermath of 2024.  One thing that a lot of people in that digital space have been talking about is how Republicans and the Trump campaign really capitalized on getting that organic engagement on platforms like TikTok and Instagram, where a lot of Americans are now going to get at least some of their news, and also engaging with and encouraging the creation of this kind of organic content on platforms and from creators that are not always expressly political or official-side.  “A candidate’s messaging strategy is only as good as the content and only if it meets people where they are and actually speaks to a real need people have.” As one Democrat I talked to put it, she thinks it’s a way for Democrats to win back the internet and to really create a contrast with the Republicans. And she said to have fun on the internet because Republicans are having fun on the internet and it appears to be working for them, or at least it was in 2024. Is there something about this being something on the left that makes it sort of tricky? This is, broadly speaking, objectification, right? It is a fine line between thirst and objectification. And there is also a gendered element to it that it is mostly men that these types of videos are being made about.  Now, granted, a lot of people make sort of hype edits or positive content about AOC because she’s a very popular female politician on the left, but it’s true that women candidates are held to higher standards in terms of how they present themselves and how their supporters portray them.  It is a very real dynamic that you could have all these videos about Jon Ossoff, and it’s not seen as detracting away from his overall message or his seriousness as a politician. Is there a drawback of focusing on looks? Does it make the Democratic Party or these candidates seem superficial or not that serious? President Trump has been the defining figure in our politics for 10 years now. And he is famously very, very image focused and image obsessed. We live in a very image-obsessed society, and I think there’s kind of a bipartisan acknowledgement of that.  And looks matter to people in all kinds of ways. They do matter in politics, they do matter to voters. Whether you like that that’s the case or not, it is the reality. And I think the way that a lot of people on the left see this is, people want to look at attractive people. People take attractive people more seriously and are more willing to listen to them. So we should play into that and play that up.  That’s also been the case on the right. President Trump famously loves people out of “central casting.” There’s been this whole movement on the right about making conservatism sexy again. And especially at the beginning of the second Trump term, you had all these influencers talking about how the second Trump term was going to usher in this great age of hotness, which is of course very based on sort of stereotypical male-centered Eurocentric beauty standards.  I think the genie’s out of the bottle on this one in terms of the fact that our politics and society is very image-obsessed. And I think the left, being locked out of power, realizes they have to play on those terms and they have fun doing it. You could look at it as giving “Kamala is brat,” which famously did not work. Is it working in any tangible way for Ossoff, for Abdul El-Sayed, or anyone else? I think a lot of the time in politics, the success of a message is really dependent on the broader political situation. I think a part of the reason that the Kamala’s brat thing didn’t work is people were like, “Okay, that’s great, but my gas is too expensive and prices are too high and I’m not happy with how things have gone under the Biden administration, so I don’t really care.” I don’t know that specific digital strategy makes or breaks a campaign or candidate, but it feeds into a bunch of larger factors.  Something that a lot of people I spoke to said they liked about Jon Ossoff is how he is incredibly serious in Senate hearings. He doesn’t grandstand. He really holds Trump administration officials’ feet to the fire. He’s been very focused in his role in the Senate and on the campaign trail about calling out corruption. He’s a very, very gifted speaker and orator. So I think a candidate’s messaging strategy is only as good as the content and only if it meets people where they are and actually speaks to a real need people have. And I think people are really unhappy with the second Trump term and politicians being super old and out of touch, and it’s a perfect storm of factors that makes it work for him.

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