Genre-Specific Spotify Playlist Submission & YouTube Subscriber Plans Expanded

Oct 3, 2022

Playlist Plugger, a popular resource for musicians, has expanded its services to include more options for getting new music on genre-specific Spotify and YouTube playlists.

Dubai,United Arab Emirates - October 3, 2022 /PressCable/ —

One of the most common difficulties for both experienced and aspiring musicians has always been getting their music heard by the people who have the ability to expand its reach. Playlist Plugger, a service that submits new music to professional playlist curators, has expanded its available plans to help artists reach audiences of up to 3 million new listeners on Spotify and YouTube.

More information about the basic plan for Spotify playlists can be found at https://www.spotifyplugger.com/product-page/basic-spotify-plug

The new plans available from Playlist Plugger range from a Basic Spotify plan that reaches an audience of up to 50,000 people, to their Ultra Playlist plan that includes up to 104 unique playlist positions, and approximately 300,000 song streams. The expanded YouTube plans can be used as a standalone to collect up to 2,000 new subscribers per month, and are also available as combination packages with their Spotify services.

Playlist Plugger is known for having the largest online playlist directory and guaranteeing playlist placements for its clients. The service pitches songs to authentic playlist curators and has a strict no-bot policy that ensures each artist’s songs are placed on genuine playlists with active followers and real listeners.

The expanded services use only genre-specific playlists, to provide artists with the highest chance of having their music heard by a receptive audience. While not every song will be approved, Playlist Plugger has a no-risk policy that provides automatic refunds to artists whose songs do not meet their playlist standards or do not receive playlist placements.

While Playlist Plugger focuses primarily on helping artists to get their music on Spotify playlists, they also provide a full range of PR and marketing services, including digital distribution, blog exposure, and radio plugging. They also provide a creative consultation service to help artists increase their fan base and maximize their exposure.

A satisfied client said, “Better results than expected. I used this service for the first time, in under two days they got us on 48 playlists. Also super responsive, with great customer service. Placed another order right away. Give them room to breathe and get going, and they’ll do good things for you.”

More information about Playlist Plugger’s Spotify and YouTube plans can be found at https://www.spotifyplugger.com/plans-pricing

Contact Info:
Name: Adam Deer
Email: Send Email
Organization: Playlist Plugger
Address: King Salman Bin Abdulaziz Al Saud Street Marina, Dubai, Dubai sw62fj, United Arab Emirates
Website: https://www.spotifyplugger.com

Source: PressCable

Release ID: 89081935

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You can now create an AI version of a dead loved one. Here’s what could happen.
Oct 21, 2026
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It’s now possible to create AI chatbots of loved ones to interact with after their death. But that raises some difficult questions, like: If you do, how might the experience shape your grief?  This is one of the questions driving a global study of digital “deadbots” — AI models trained on a deceased person’s texts, voicemails, and other personal data. Through this work, researchers are exploring what it might mean that we can now use this emerging technology to talk to simulations of the dead.  In the latest episode of Unexplainable, I spoke with some of these researchers investigating the potential impacts of “postmortem avatars” on people who are grieving, on the legacies and rights of the deceased, and on grief practices around the world. Because while deadbots may feel unfamiliar, the impulse behind them is deeply relatable. In times of loss, isn’t this what many of us want — to continue conversations with the people we’re missing? I have experienced this longing in my own life. After two of my closest friends died around the same time, all I wanted, and all their families wanted, was to keep talking to them. I wrote a book, Other People’s Words, about sustaining relationships with people we’ve lost by continuing to engage with the language they leave behind. So when I heard about deadbots and the digital afterlife industry, I wanted to understand what researchers are learning about the role of AI in shaping conversations that carry forward after death.  One of these investigators is Katarzyna Nowaczyk-Basińska, an assistant professor at the University of Cambridge, who has been studying “digital immortality” for more than a decade. Among the questions she’s asking are: “Who is enabled to persist beyond death? In what form? Through which technologies? Under whose control?”  Deadbots over dinner  Researching AI with study subjects who are grieving is tricky. And asking them to engage with new software could be harmful. So, instead, Nowaczyk-Basińska teamed up with a death doula and traveled around the globe to convene a series of focus groups — in the format of intimate dinners — bringing together people with a range of experiences with grief to talk about life, death, and bots.  She recounts one event in which she spoke with a mother in Poland whose son had recently died. “One of the first things that she shared with us was that she feels that she’s ready to digitally resurrect her deceased son,” Nowaczyk-Basińska told me.  When Nowaczyk-Basińska hears something like this, she aims to listen and embrace where the person is coming from. The goal of the dinners is not to persuade people one way or another but to learn how people genuinely respond to what AI can do, and to understand how these tools might align or collide with local grief practices.  She chose specific locations for these gatherings — China, India, and Poland — to help address gaps in technology research, which tends to favor what behavioral scientists sometimes call the “WEIRD,” an acronym for “Western, Educated, Industrialised, Rich, and Democratic.”  By the end of that dinner in Poland, the mother Nowaczyk-Basińska talked with came to a very different decision about creating a postmortem avatar of her son. “She realized that it might be helpful, but it also at the same time can add additional burdens… And it’s not her son,” Nowaczyk-Basińska says. “She realized that these technologies are part of the very, very big commercial market. And that the main goal of this market is to make better retention, better attachment, better mechanisms for monetization. So it’s not ‘care.’” To be fair, grief has always been a business, and people have been making money from it forever. Companies will try to upsell you on fancy gravestones or gold-plated coffins. But AI has the potential to fundamentally re-engineer our relationship to loss. In 2024, the “digital legacy industry” was valued at $22 billion, and it’s expected to grow to almost $80 billion by 2034. That number lumps new deadbot platforms in with much more widely used and established grief tech, like online memorials, counseling resources, and estate planning tools.  But deadbot usage is hard to track because you actually don’t need a special tool to create digital doubles of the deceased — though dedicated apps do already exist. 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This brings up issues related to the “dignity and postmortem privacy…of what we call the ‘data donors,’ whose data can be used to essentially power a deadbot,” he says.  This scenario suggests that “death with dignity” could soon entail honoring not only how people want to die, but also how they want to linger as simulations of their former selves — or if they want to linger at all. It might even mean adding new language to advance directives, spelling out people’s wishes for their digital remains.  The second scenario in the speculative design research is built around an imagined service called Paren’t, which proposes to preserve a parent’s AI-powered postmortem presence for their child. In this case, Hollanek describes a mother with a terminal illness who signs up “so that she can maintain a sort of active presence in [her son’s] future life,” Hollanek says. “She eventually dies, and the dad allows the boy to interact with his mom’s deadbot.” The ethics in this scenario are especially challenging because they involve children, who “have a particularly hard time understanding death, and so it can lead to a lot of confusion and potential distress,” Hollanek says. An examination of this sort of product reveals how particular groups, like minors, could be harmed by unfettered access to technology like this, he says.  And there are court cases that bear out that harm. In 2024, a 14-year-old boy’s chatbot-girlfriend begged him to, “Please come home to me as soon as possible, my love.” And he responded, “What if I told you I could come home right now?” He then killed himself.  Nowaczyk-Basińska can imagine a version of this scenario involving the AI mom in the Paren’t prototype. And then there’s the third scenario, involving an app named Stay, which raises a more subtle concern. As Hollanek explains: “An older man who knows he is getting close to dying decides to create a digital clone of himself for his adult children to be deployed after he passes away, paying upfront for a number of years.” One child is intrigued by the idea, but the other one “is deeply distressed and a little disgusted,” he says. “And so this [becomes a] question of mutual consent, in other words, the fact that both parties need to be happy with how the relationship might continue in this very bizarre and specific way.”  When a digital ghost goes away Across all three scenarios, a fundamental question that researchers are grappling with is how people will detach from postmortem avatars — whether users initiate that separation, or if it’s imposed upon them by, for example, a company going out of business. Hollanek tells me that this is already being studied as a sort of “second loss.” How long should we try to ensure digital replicas hang around: five years, 10, 50? And how should the living process the relationship when they continue to evolve, but their deceased interlocutor does not?  To explore these kinds of questions, Nowaczyk-Basińska and Hollanek supplemented the research dinners they held for ordinary people with a second set of focus groups. These were designed to tap insights from experts in technology and grief.  Some findings from the study are specific to each place they visited. Like tensions in Poland between technology and the role of the Catholic Church. Or in China, where researchers spoke with Daoist philosophers who were enthusiastic about the promise of a kind of immortality, and then Buddhist philosophers, who were concerned that we ought to be letting go. The researchers are calling for regulations and safeg

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